Summarizing the movies I saw lately in (around) three words.

Take this waltz - funny, loose, hot (as in weather).


My week with Marilyn - dizzy, blond, sulky.


Wild - arid, stubborn, hollow.


Before I Disappear - amusing, quirky, grungy.


Revolutionary Road - confused, weary, somehow missing the target.


The Lincoln Lawyer - showy, edgy, heedful.


Holy Smoke - slow-ish, “seems to get caught in its own net”, naked.


Poetry - sentimental(ish), punchy, gracile.


The One I Love - a mix of everything. a bit crazy, careless.


The Lovers - Malle. Classy.


The Art of the Steal - or, how to get 20 billion with 10 million $. Barnes Foundation. Philadelphia


The Master - A bit scrambled. Very beautiful and perfectly acted.


Two Lives - Sad. Heartbreaking but angrily so. Hits under the belt.


Silver Lining - Could have been a bit shorter. Fun. Plot a bit wobbly.


Fading Gigolo - Woody Allen does Woody Allen. Turturro should only be an actor.


In A World - voice-over world, rather easy, fun.


The Shipping News - compressed, difficult. Needs the book first.


Frances Ha - New York, New York. Young. Hopeful.


Le Fils de l’Epiciere - quite OK, funny at times, pensive.


Little Miss Sunshine - have popcorn, will watch. And soda.


Walk the Line - Folsom prison blues. Thump, thump, thump…


Seraphine - nicely acted, true story. Almost.


Biutiful. “one of the best films you will never want to see again”


Alceste à bicyclette - story-line gaps,


Punch-Drunk Love - although… Sandler, funny, eccentric.


Ghandi - Lots of cotton being spun. Salt making. Fake blood.


Holy Motors - linear inception.


Brokeback Mountain - Green, lots of sheep, swift, visceral.


The French Connection - first part; the sequence should be better.


Depuis qu’Otar est parti - Georgia, old, sparkling, heartening.


Educating Rita - funny, old-school.


Inception - too wide a premise, volatile, fun to watch if you buy in.


Oldboy - smitten, 15 years!, crazy scenes, Oedipus in reverse.


Les 400 Coups - classy, classical, intimate.


Ladri di Biciclete - a collapsing world, a father-son odyssey.


The Hitchhiker’s Guide Through the Galaxy - 42, funny, mad.


There Will be Blood - sweaty, dusty, oily, deafeningly quiet, viperine.


Anna Karenina - the visible and the invisible, the play that is no play, though it comes comes across as a playful show.


The words - bad(ish), thin, poor.

Being Flynn - dark, rounceval, the story within a story from the point of view of the writer, the writer within the writer.


Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb - another sort of Kubrick, of which I know little about.


Babel - Iñárritu, emotional, weary, almost Hollywood-ian.


Stories we Tell - a revelation.


Gerhard Richter Painting - red, yellow, green, smudge.


Sunshine cleaning - have popcorn. And soda.